(2007) Villa-Lobos: Suite Floral Op. 97 - A Prole do Bebê No. 1 & 2
Catégorie(s): Piano
Instrument(s): Piano
Compositeur principal: Heitor Villa-Lobos
Nb CD(s): 1
N° de catalogue:
CD 2709
Sortie: 2007
EAN/UPC: 7619931270920
- UPC: 829410501965
Cet album est en repressage. Précommandez-le dès maintenant à un prix spécial.
CHF 18.50
Cet album n'est plus disponible en CD.
Cet album n'est pas encore sorti. Précommandez-le dès maintenant.
CHF 18.50
Cet album n'est plus disponible en CD.
CHF 18.50
TVA incluse pour la Suisse et l'UE
Frais de port offerts
Cet album n'est plus disponible en CD.
TVA incluse pour la Suisse et l'UE
Frais de port offerts
Cet album est en repressage. Précommandez-le dès maintenant à un prix spécial.
CHF 18.50
Cet album n'est plus disponible en CD.
This album has not been released yet.
Pre-order it at a special price now.
CHF 18.50
Cet album n'est plus disponible en CD.
CHF 18.50
Cet album n'est plus disponible en CD.
NOUVEAU: Les achats se font dorénavant dans la devise de votre pays. Modifier le pays ici ou lors du checkout
VILLA-LOBOS: SUITE FLORAL OP. 97 - A PROLE DO BEBÊ NO. 1 & 2
Written between 1916 and 1918; the Suite Floral; Op. 97; is articulated in three movements: “Summer Idyll” immerses us in Brazilian sunlight; one falls into a sweet lull in a hammock gently rocking in a warm breeze. “A Singing Country Girl” depicts a young; innocent maiden whose song is embraced throughout by a syncopated accompaniment. The middle section is marked by the use of pentatonic scales. “Joy in the Garden” gives expression to the exuberance of joy and perfect happiness. This third movement; completely bitonal; is constructed using appoggiaturas in the extreme ranges of the piano. The spirit of the jungle awakens in the repeated octaves in the bass; a register that Villa-Lobos loved to explore.
The cycle “The Baby’s Family” consists of three suites (often confused with the Children’s Suites). The first is a depiction of “The Dolls” and the second of “The Little Animals”. The third suite; “The Games”; unfortunately has been lost; it is only known that it was dedicated to games of sport. The suites evoke the atmosphere of the streets of Rio de Janeiro and were inspired by a number of folk songs. Deeply marked by the colors and accents of traditional national music; one can sense in these pieces all the colors of the Amazon forest; its luxuriant foliage; its superabundance and its variety. The harmonies are exquisite; the writing for the piano very inventive and virtuosic.
Joanna Brzezinska
(Translation: Mark Manion)
Not being trained academically permitted Heitor Villa-Lobos (1887–1959) to develop a very personal compositional style and technique; a combination of traditional Brazilian music with universal esthetics. At times violent and savage; at times sweet and inward; his music is filled with surprising turns. A veritable keyboard genius; he was also one of the most prolific composers of his generation; leaving behind some 2;000 works in various styles; most of which have yet to be discovered!
Written between 1916 and 1918; the Suite Floral; Op. 97; is articulated in three movements: “Summer Idyll” immerses us in Brazilian sunlight; one falls into a sweet lull in a hammock gently rocking in a warm breeze. “A Singing Country Girl” depicts a young; innocent maiden whose song is embraced throughout by a syncopated accompaniment. The middle section is marked by the use of pentatonic scales. “Joy in the Garden” gives expression to the exuberance of joy and perfect happiness. This third movement; completely bitonal; is constructed using appoggiaturas in the extreme ranges of the piano. The spirit of the jungle awakens in the repeated octaves in the bass; a register that Villa-Lobos loved to explore.
The cycle “The Baby’s Family” consists of three suites (often confused with the Children’s Suites). The first is a depiction of “The Dolls” and the second of “The Little Animals”. The third suite; “The Games”; unfortunately has been lost; it is only known that it was dedicated to games of sport. The suites evoke the atmosphere of the streets of Rio de Janeiro and were inspired by a number of folk songs. Deeply marked by the colors and accents of traditional national music; one can sense in these pieces all the colors of the Amazon forest; its luxuriant foliage; its superabundance and its variety. The harmonies are exquisite; the writing for the piano very inventive and virtuosic.
Joanna Brzezinska
(Translation: Mark Manion)
Return to the album | Composer(s): Heitor Villa-Lobos | Main Artist: Joanna Brzezinska