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Le Brésilien Cristian Budu – Prix Clara Haskil 2013 – réunit les Préludes de Chopin, décidément très enregistrés ces temps-ci, et les Bagatelles op. 33 de Beethoven. Il a choisi un Steinway somptueux réglé par Jean Baumat, et splendidement capté à la Chaux-de-Fonds par les micros de Johannes Kammann. Si splendidement que l’ombre du piano de Clau...
A volte, concentrati sull’interprete vocale e sulla fisionomia che ci restituisce del Viandante, tendiaquanto significativa e ardita sia la scrittura strumentale della Winterreise. Un pianista della personalità di Michel Dalberto (qui assecondato da un sontuoso Bôsendorfer Imperial) è invece l’ideale per rammentarci, ad esempio, l’incredibile mo...
Lorsque le disque compact a conquis le marché de la musique au milieu des années 1980, le vinyle semblait voué à disparaître. Puis est venu le MP3, qui a lui aussi révolutionné l'univers des supports audio. Pourtant, le vinyle a de nouveau le vent en poupe. Comment l'expliquer ? Xenius fait le point sur les propriétés respectives de ces trois su...
Il n’est pas certain qu’on se soit rendu compte lors de la parution en 2011 de cet enregistrement, sous forme de livre-disque chez le merveilleux éditeur suisse la Dogana, de sa parfaite singularité. Il se pourrait bien qu’il s’agisse là d’une des versions les plus intransigeantes du Voyage d’hiver. Michel Dalberto offre une lecture mâle, enfiév...
Listening to his impressive new recording, it’s easy to understand why Cristian Budu won the Clara Haskil Competition in Vevey three years ago this September. A Brazilian of Romanian descent who studied at the University of São Paulo and the New England Conservatory, Budu is a stunningly original pianist with musical insight and maturity that c...
Two recent all-Mendelssohn releases, one on Claves and the other on Harmonia Mundi each including the Double Concerto, an infrequently heard score from the young composer. For Claves the Camerata Bern perform using modern instruments, metal strings and modern bows. On Harmonia Mundi early music specialists the Freiburger Barockorchester provide ...
Stephan Genz has the melting phrasing and a good deal of the vocal quality of Dietrich Fischer-Dieskau, and those looking for a recording that follows in the footsteps of the king of German baritones may gravitate toward this Swiss release for that reason. This said, the cumulative effect of Genz's cycle is quite different from that of Fischer-D...
Svendsen (1840-1911) and Bruch (1838-1920) were almost the same age, but these string octets are separated by more than 50 years. Svendsen wrote his piece while a student at Leipzig Conservatory and was awarded First Prize for his effort, and Breitkopf & Härtel offered to publish it. It is a fine piece, generous in melodies with interesting ...
Who remembers Christian Ferras? He made several recordings for EMI and Deutsche Grammophon over the span of about two decades, essentially retiring in the 1970s to teach. In 1982, he committed suicide, and is almost never mentioned among the great violinists. That puzzles me, if only because tragic deaths in classical music are generally greeted...
Critique du demi-finaliste Cristian Budu
Lors du deuxième soir des demi-finales du Concours Clara Haskil, le brésilien Cristian Budu, accompagné par des membres du Quatuor Hugo Wolf, présentait le Quatuor pour piano et cordes No.3 en ut mineur Op. 60 de Johannes Brahms. Esquissée lorsque le compositeur avait à peine plus de vingt ans puis repris...
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